______________________________________________________________________________________________________________________________________

______________________________________________________________________________________________________________________________________

Aston Magna Chamber Players: A Baroque Celebration!

Handel, Bertali, Rossi, Monteverdi, Marais, Purcell, Corelli and more

Saturday December 7 | 3:00 p.m. | PURCHASE TICKETS: HERE*

Please note that there is a pre-concert talk at 2:15 p.m.

Program

Bertali: Sonata “1000 Gulden”
Rossi: Sonata in Dialogo and
Sonata sopra “Porto celato, il mio nobil pensiero”

Monteverdi: “Ed e pur dunque vero”

Marais

Robert de Visée

Rameau: Orphée

Intermission

Corelli: Ciaccona
Purcell: Trio (Chacony)
Elizabeth Jacquet de la Guerre: Sonata

Handel: Messiah Excerpts
Pifa – C Major
How beautiful are the feet – G Minor
Every Valley – F major

*Ticket prices: $40 in advance; $45 at the door

Day of Concert Special Pricing:
Under 30s and Military: $15
Children, Full-Time Students: Free
EBT Card to Culture: $2

“Aston Magna dispenses a real treat… extremely accomplished playing, varied to suit the individual works in a completely convincing manner. Aston Magna provides the mid-Hudson Valley with unique opportunities to hear music we don’t usually hear, performed with gratifying style and expertise. I can hardly wait for the next concert.”

Boston Musical Intelligencer, “Birth of the String Quartet”, Summer 2019


______________________________________________________________________________________________________________________________________

BERKSHIRE LYRIC presents: In Dulci Jubilo

Sunday December 15 | 3:00 p.m. | PURCHASE TICKETS: HERE

Adults: $25 / Students: $15 / Under 12: Free (with paid adult admission)

Traditional and contemporary Christmas music for chorus by Mendelssohn, Praetorious, Rachmaninoff, Bob Chilcott, Philip Stopford, Anson Olds and others.

This concert was sold out last year, so please purchase early!!!
(A few may be available at the door)


______________________________________________________________________________________________________________________________________

Great Barrington Arts Market: Delightful and Delectable Holiday Market

Sat Dec 21 10 a.m. – 6 p.m. | Sun Dec 22 11 a.m. – 4 p.m. | FREE!
A curated holiday market featuring local and regional handmade gifts and products.

The Great Barrington Arts Market (GBAM) annual Delightful and Delectable Holiday Market, a unique holiday sale featuring the best of the Berkshires handmade gifts and delicious giftable treats returns to Saint James Place!
2019 Vendors:
MOHO Designs/Petit Pilou/Berkshire Four Poster
JK Custom Furniture & Design
The Peach Tree
Going Gnome
Dai Ban Studio
Earthly Remedies by Erin
Flower Blossom Farm
Thicket
Savor
Under Mountain Weavers
Free Ramblin’ Kids
Lockhart Wrks
The Highlands Foundry
C.E. Golden
The Binderie
Codo – ceramics + textiles
Kelli Cain Ceramics
H.R. Zeppelin
First Flower Farm
Tandem Ceramics
Solulu Handmade
les collines
Adamah Farm
La Boa Brava
Pratt + Hebert
Skipping Goat Farm
Eighth Belle
Elements Jill Schwartz
Of Note Stationers
NON Jewelry
Ben Evans Ceramics
Olivia Clementine
Catskill Glassworks
Braise Worthy

MORE INFO:
https://www.facebook.com/GbArtsMarket/
www.instagram.com/gbartsmarket/
______________________________________________________________________________________________________________________________________

The Olga Dunn Dance Company presents: A Holiday Show for the Entire Family!

40 minutes of dance including the premier of “Twas the Night Before Christmas,” Nutcracker excerpts, previews, and more!

Saturday December 21 | 4:00 p.m. | Tickets Available at the Door: $15 Adults / Free for 12 & Under

______________________________________________________________________________________________________________________________________

Crescendo’s A Tale of Divine Love and the River Spirit

Acis y Galatea—A Spanish Baroque Semi-Staged Comic Opera

Saturday December 28 | 4:00 p.m. | PURCHASE TICKETS: HERE

Antonio de Líteres’s Acis y Galatea (1708) is a zarzuela in two acts with a libretto by José de Cañizares. The work quickly became one of the most famous of zarzuelas, the Spanish popular music-drama form that flourished in the late Baroque. Zarzuelas were a blend of sung and spoken episodes, usually performed by women actors who took both male and female roles, featuring characters that often are a mixture of gods, mythological creatures and rustic or pastoral comedy characters. This work tells of the love between mortal Acis and the sea-nymph Galatea. Líteres brilliantly weaves together Italianate da capo arias, French sung minuets, and Spanish seguidillas (sung popular dances). The singers are accompanied by traditional Baroque instruments and castanets, which give a typical Spanish flavor. A small group of ensemble singers act as a traditional opera chorus, commenting in fast-moving and rhythmical responses on the dramatic action.

Salomé Sandoval, mezzo soprano (Acis), Baroque guitar, percussion and co-director, Catherine Hancock, soprano (Galatea), Malina Rauschenfels, mezzo soprano (Tisbe), Roman Testroet, baritone (Momo), Sarah Fay (Glauco), Tom Schindler, (Polyphemo), are joined by Crescendo’s Vocal Ensemble Singers, and period instrument players Tricia Van Oers, recorder, Christa Patton, recorder and Baroque harp, Hideki Yamaya, Baroque guitar. Christine Gevert leads this semi-staged performance from the harpsichord in this collaboration with Ensemble El Fuego (Salomé Sandoval, Artistic Director)

$60 (Premium) / $35 (General) / $10 (under 18 years)
______________________________________________________________________________________________________________________________________

Berkshire Playwrights Lab presents a Berkshire Voices staged reading of

I Am, You Are, We Were

By Jane Denitz Smith | Directed by Joe Cacaci

POSTPONED TO JAN 2020 (Exact Date TBD)

1914, and Here and Now. The equilibrium of two families—one Russian, one suburban Jewish—is tilted by Bolshevik fervor, loss, and a garage bursting with a lifetime’s worth of possessions. I Am, You Are, We Were explores the depths of love, and the collateral damage of loving.

Please note that this event takes place in Great Hall at the back of Saint James Place, not in the Sanctuary
______________________________________________________________________________________________________________________________________

Crescendo’s Thanksgivings for Life and Love

16th Century Spanish Polyphony and Contemporary Latin American Folk Music

Saturday February 1 | 4:00 p.m. | PURCHASE TICKETS: HERE

The concepts of Thanksgiving, The Dove, The Dew, Mary, Weeping and Remembrance are portrayed in Hispanic works of two different eras and styles. Featured are motets for four to six voices by Tomas Luis de Victoria, Francisco Guerrero and Antonio Lobo–some of the most remarkable composers of 16th century Spanish polyphony. Works include Victoria’s Te Deum, Guerrero’s Maria Magdalena, and Lobos’s Versa est in luctum, among others. In contrast, choral and instrumental arrangements of Latin American folk melodies of the 20th and 21st centuries by Carlos Guastavino (Argentina), Violeta Parra and Victor Jara (Chile), and others are celebrated as Canto Nuevo (The New Song). Some of the most famous themes are Parra’s “Gracias a la vida”, and Guastavino’s “Se equivocó la paloma”. The poetry of these newer works includes texts by Nobel Prize winner Gabriela Mistral, and one of the greatest literary figures of the Silver Age of Spanish literature, Rafael Alberti.

Crescendo Vocal Ensemble is joined by Alturas Duo, Carlos Boltes, charango and viola, and Scott Hill, guitar, and Gonzalo Cortés, quena, zampoña and percussion. Directed by Christine Gevert from the organ.

$60 (Premium) / $35 (General) / $10 (under 18 years)
______________________________________________________________________________________________________________________________________

Crescendo’s Music Across Borders

17th Century and Contemporary Choral Musicfrom Poland, Latvia, Czech Republic and Germany

Sunday March 29 | 4:00 p.m. | PURCHASE TICKETS: HERE

As Italian Baroque music influenced all countries strongly in the 17th and 18th centuries, national styles then developed, and started to influence each other. This program explores repertoire of some of the countries in Eastern Europe and the influence composers there had on composers of other regions such as Germany. The festive Baroque choral works by Szarzyński, Gorczycki, Telemann, Meder and Černohorský feature strings and Baroque trumpets in the orchestra. They will be contrasted with contemporary works by Ešenvalds (Latvia), Lukaszewski (Poland), and Lukáš (Czech Republic). Works include Szarzyński’s “Completorium”, Gorczycki’s “Laetatus sum”, Meder’s “Jubilate Deo omnis terra”, Ešenvalds’s “Stars” (accompanied with seldom-heard tuned musical glasses), and Lukáš’s “Pater noster” op. 263 among others.

Crescendo Chorus and soloists, with period instrument players, directed by Christine Gevert.

$60 (Premium) / $35 (General) / $10 (under 18 years)
______________________________________________________________________________________________________________________________________

Crescendo’s Baroque Ornamentation for Singers

Voice Masterclass with Julianne Baird: An Educational Event and Master Class for Young Professionals and Advanced Students

Saturday April 18 | 10:00 a.m. – 1:00 p.m.

Advanced voice students or professional singers coach solo repertoire from Purcell to Handel with Julianne Baird. The special emphasis of this session is the art of ornamenting according to national style, genre and era. The masterclass will have up to six active students, and unlimited auditors.

Dr. Julianne Baird, voice teacher, with Christine Gevert, harpsichord accompanist

$10 (Auditors, tickets sold at the door) – Singers: apply at crescendo@worldclassmusic.org
______________________________________________________________________________________________________________________________________

Crescendo’s An Evening in the Home of J.S. Bach

Julianne Baird Sings Arias by Bach and His Children

Saturday April 18 | 6:00 p.m. | PURCHASE TICKETS: HERE

The world-renowned Early Music soprano, Julianne Baird, offers a solo recital, which provides a glimpse into the domestic music of the 18th century, and the musical tastes of the Bach family. Most of the works are from the Notebook for Anna Magdalena, a manuscript notebook that Johann Sebastian Bach presented to his second wife, Anna Magdalena. The recital will include arias: “Gedenke doch”, “Bist du bei mir”, “Willst du dein Herz mir schenken”, “Schlummert ein”, arias from Bach’s Hunt Cantata BWV 208, and from his Wedding Cantata BWV 202; and harpsichord works, such as the First Prelude of The Well-Tempered Clavier BWV 846/1, and the “Aria” of the Goldberg Variations BWV 988/1, among others. Songs and arias from his sons Carl Philipp Emanuel and Johann Christian Bach, and from his grandson Wilhelm Friedrich Ernst Bach will round out the program.

Julianne Baird, soprano, and Christine Gevert, harpsichord

$100* (Premium – *Benefit Concert) / $35 (General) / $10 (under 18)